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In one of his first forays into big-budget Hollywood, Ennio Morricone handed in one of his weirdest, eeriest scores.
From the beautiful to the absolutely demented, while still playing in the same sandbox. Once you get to the deranged Satanic prog-rock of “Magic And Ecstasy,” it hits you: this is the craziest we’ve ever heard Morricone. And it’s amazing.
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